Category Archives: News
CREATe research was on show to more than 1800 attendees of TedX Glasgow, held on Friday 2nd June 2017 at the SEC Armadillo. The theme of this year’s TEDx in Glasgow was ‘Lead or Follow’ with thought-provokers, inspirational speakers, thinkers and doers, from all over UK speaking about innovative ideas and disruptive actions. CREATe’s stand at the TedX, enthusiastically manned by Bartolomeo Meletti, Sukhpreet Singh and Kris Erickson, showcased two of CREATe’s innovative education offerings for users and executive workers in creative industries. This included copyrightuser.org (online resource aimed at making UK copyright law more accessible) and CREATe’s suite of creative industry focussed online Masters degree, diploma and certificate study programmes in ‘IP & Innovation’. Visitors to the CREATe stand … Continue reading
Dr Thomas Margoni (Director of the LLM Intellectual Property and the Digital Economy and Senior Lecturer in Intellectual Property and Internet Law) reports on the 2017 CopyrightX Summit, held at Harvard Law School. The second CopyrightX Summit took place between 15th and 17th of May and was hosted by Harvard Law School and the Berkman Klein Center for Internet and Society in the beautiful Wasserstein Hall building of the Harvard Law School. During three full days of discussions and presentations, more than 30 CopyrightX teaching fellows from six continents (not Antarctica, yet!) had the occasion to interact in person and to exchange their experience of teaching the CopyrightX course. CopyrightX is a twelve-week networked course created and supervised by HLS professor William Fisher and … Continue reading
This study by Lee Edwards, Giles Moss and Kristina Karvelyte from the University of Leeds aims to respond to a call in previous research for greater public deliberation about copyright policy. It is underpinned by the principle that copyright policy is a matter of public interest, and as such, should be a subject of public discussion and debate, so that the eventual implementation of copyright is one that attracts a general level of agreement among all affected parties. The research builds on an earlier project (Grant reference ESRC RES 062-23-3027) that examined the ways in which copyright was understood and evaluated by industry, activist groups and users. This work argued that users should be viewed as ‘sources of legitimate justifications … Continue reading
Press publishers, Internet platforms and Text-and-data-mining. Martin Kretschmer reports on the progress of the EU’s contested copyright reforms in the European Parliament and Council. Over the last months, many observers have tried to follow the progress of the EU copyright reform package that is now bogged down by close to 1,000 amendments from Members of the European Parliament to the proposed Copyright in the Digital Market Directive (COM(2016)593). This post tries to shed some light on what is going on behind the scene. (CREATe’s earlier contributions to the debate can be found here.)
CREATe researchers Andrea Wallace and Ronan Deazley participated in the panel discussion ‘Copyright As Frame And Prison’ on 28 April at the Phoenix Arts Centre in Leicester. Complementing the exhibition No Copyright Infringement Intended, which includes work by Wallace and Deazley, the discussion explored the disruptive power of technological innovation on culture and copyright. A video recording of the panel discussion is now available on the CREATe Media YouTube Account.
CREATe announced the launch of the Copyright and Innovation Network (CIN) on 26 May 2017 at the Digital Catapult in London with an event exploring, Trends in the Creative Digital Economy: Findings from the CREATe Research Programme. The network aims to be a catalyst for industry-relevant research at the interface of law, technology, social science and the humanities.
We are delighted to launch the CREATe IP Summer Summit (CIPSS’17) at the University of Glasgow, jointly organized with the National Law University Delhi, India. This year’s theme is ‘Open Science and Open Culture’ with a special focus on development in the Global South. See full timetable. * CIPSS’17 counts as 20 hours of verifiable CPD for solicitors / lawyers in Scotland * * 50% discount for full-time academic staff and full-time registered students * * 50% discount for University of Glasgow alumni * * Scholarships (fee remissions) available – scroll down for details and get in touch* Openness is an aspirational goal to build transparent and participative societies. Does this conflict with international IP policy that prescribes complex arrangements of … Continue reading
Book now: Convergence or differentiation in IP protection strategies and business models? – The case of China
Date: 5 June 2017 (9:00 – 18:00) Location: University of Edinburgh Business School, room LT1A To book: Email project director Dr Xiaobai Shen (firstname.lastname@example.org ) This workshop presents findings from CREATe supported research into the role of digitization and copyright protection in the development of creative industries in contemporary China. In the USA and Europe, incumbent players in the creative industries have been strongly entrenched and struggled to hold on to old business models, while China has enjoyed a period of “letting a hundred flowers bloom”.
Early career researchers, including advanced PhD students working on creative economy topics, are invited to register for an Early Career Research Camp organised by CREATe. The event will take place over the 4th and 5th May in Glasgow at the Centre for Contemporary Arts. The programme includes interactive activities and expert roundtables covering interdisciplinary work, new research methods, engagement with policy and societal impact. Over the course of the two-day event, teams will develop a research proposal on a creative economy theme, with a £1000 prize for the winning proposal. The event is supported by the Arts and Humanities Research Council.
How do archives, museums and libraries enable digital access to works in their collections when it is difficult to identify or locate the copyright owners? The problem of orphan works has been addressed in part by the EU Orphan Works Directive 2012 and the UK Orphan Works Licensing Scheme (OWLS). But are these solutions fit for purpose? The Digitising the Edwin Morgan Scrapbooks project was the first UK study addressing the legal and practical realities of diligent search since the Directive and OWLS came into effect. Now the project has concluded, with a new resource launched at www.digitisingmorgan.org.