Deputy Director of CREATe Lilian Edwards will be speaking on a panel about “The Future” at Nine Worlds, an innovative media…
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The University of Edinburgh, a partner in the consortium of universities running CREATe, is seeking three fixed-term, part-time research assistants…
ECLAP, the European Collected Library of Artistic Performance released its IPR and Business Models for Performing Arts Content – Best…
Glasgow Life and the School of Culture and Creative Arts at the University of Glasgow are seeking to award one fully-funded…
CREATe Deputy Director Philip Schlesinger gave a closing plenary lecture at the international Screen Studies Conference 2013, held at the…
The seventh release in CREATe’s Working Paper Series is now available for download. Copyright, and the Regulation of Orphan Works: A comparative…
Professor Lilian Edwards, Deputy Director of CREATe, spoke for CREATe at a panel entitled Copyright, Copyleft, Copywrong? at Open City Docs…
A new empirical study of so-called Orphan Works, commissioned by the UK Intellectual Property Office, and undertaken by academics from Bournemouth University, and the CREATe Centre at the University of Glasgow, comes to surprising results. It offers a clearer understanding of how orphan works are regulated and priced in other jurisdictions, and how a pricing system could be structured to ensure that “parents” are fairly remunerated if they re-appear, and users are incentivised to access and exploit registered orphan works.