CREATe Copyright and Innovation Network Launch: 26 May, London

Launch of CREATe Copyright and Innovation Network

Trends in the Creative Digital Economy: Findings from the CREATe Research Programme

London, Digital Catapult Centre, 101 Euston Road, NW1 2RA

26 May 2017, 11:00 – 16:00

 

CREATe announces the launch of the Copyright and Innovation Network (CIN) with an event exploring, “Trends in the Creative Digital Economy: Findings from the CREATe Research Programme.” This event marks the launch of a national CREATe network on copyright and innovation that aims to be a catalyst for new industry-relevant research at the interface of law, technology and social science.

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Announcing the Early Career Research Camp: 4th & 5th May

Early career researchers, including advanced PhD students working on creative economy topics, are invited to register for an Early Career Research Camp organised by CREATe.

The event will take place over the 4th and 5th May in Glasgow at the Centre for Contemporary Arts. The programme includes interactive activities and expert roundtables covering interdisciplinary work, new research methods, engagement with policy and societal impact. Over the course of the two-day event, teams will develop a research proposal on a creative economy theme, with a £1000 prize for the winning proposal. The event is supported by the Arts and Humanities Research Council. Continue reading

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CREATe IP Summer Summit 2017 (26 – 30 June)

We are delighted to launch the CREATe IP Summer Summit (CIPSS’17) at the University of Glasgow, jointly organized with the National Law University Delhi, India.

This year’s theme is ‘Open Science and Open Culture’ with a special focus on development in the Global South.


Openness is an aspirational goal to build transparent and participative societies. Does this conflict with international IP policy that prescribes complex arrangements of exclusive property rights as part of the global free trade area? The 1994 WTO TRIPS agreement sets minimum standards of protection for copyright, trademarks, geographical indications, industrial designs and patents, restricting the use of knowledge goods in order to encourage their production. A development agenda for copyright law, in particular, has remained polarised. Rules were set at a time when countries in the Global South ‘were barely at the threshold of the digital revolution‘.

The “Open Science and Open Culture” summit lays the foundation to assess if countries in the global south need to move through traditional closed scientific and cultural models first. Are there opportunities to ‘leapfrog’ to open access and open data practices in educational resources and science, and to participatory digitization and disintermediated access to markets in relation to culture? What are the regulatory flexibilities, and legal and social hurdles to realising the benefits of openness?

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Two new CREATe working papers exploring the music and publishing industries

Morten Hviid, University of East Anglia provides a summary of CREATe supported research into the effects of digitalisation on the music and publishing industries. The findings have been published as two new working papers.

The two papers explore the structure of the music and publishing industries respectively post-digitalisation. In both cases we observe that digitalisation and disintermediation of support services have made possible an increased potential for the creative agents to self-publish and bypass the traditional publishers and labels. We also observed a move towards a more concentrated retail sector, where the large internet platforms dominate the interface with consumers. We speculate on the effect of these changes on the traditionally powerful firms in these industries, the book and music publishers and the record labels and what the eventual effects may be on artists and consumers. As regards the artists and consumers, in both industries, the main concern today does not appear to be an inadequate amount of creative output being produced; on the contrary more output is available than ever before. The problem has shifted to one of being found, whether it is the artist hoping to be discovered or the consumer hoping to discover new literature or music. While similar trends towards self-publishing, powerful retail platforms and streaming characterise both industries, there are interesting differences in their development to date.

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Digitisation, Orphan Works & Copyright: New Resource for the GLAM sector

How do archives, museums and libraries enable digital access to works in their collections when it is difficult to identify or locate the copyright owners? The problem of orphan works has been addressed in part by the EU Orphan Works Directive 2012 and the UK Orphan Works Licensing Scheme (OWLS). But are these solutions fit for purpose?

The Digitising the Edwin Morgan Scrapbooks project was the first UK study addressing the legal and practical realities of diligent search since the Directive and OWLS came into effect. Now the project has concluded, with a new resource launched at www.digitisingmorgan.org.

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Building a unitary copyright for Europe?: ECS Conference 2017

The annual conference of the European Copyright Society (ECS), held this year at Sciences Po, Paris on 12 May 2017, will explore a possible path to a unitary EU copyright that would overcome the territorial fragmentation of online content markets.

Martin Kretschmer speaking at EPIP 2015

CREATe has worked with the European Copyright Society (ECS) on numerous policy submissions since the society was established in 2012. Speakers at ECS 2017 affiliated with CREATe include Prof. Martin Kretschmer (University of Glasgow), Prof. Estelle Derclaye (University of Nottingham) and Prof. Lionel Bently (University of Cambridge), as well as members of CREATe’s programme advisory council (Bernt Hugenholtz, IViR, University of Amsterdam and Reto Hilty, Max Planck Institute for Innovation and Competition, Munich). Continue reading

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‘Cultural prescription’: a growing focus for research

CREATe Deputy Director Philip Schlesinger gave the opening keynote lecture on ‘Why does cultural expertise matter?’ at the international conference on ‘La prescription culturelle en question/Investigating cultural expertise’, held at the Maison des Sciences de l’Homme de Dijon from 5-7 April 2017.

His talk focused on the current crisis of expertise in the public sphere, how institutions prescribe cultural agendas, and the diverse regimes of research that shape academic identities and agendas. The conference covered a wide range of cultural practices, from music to manga, and the tensions between algorithmic and actor-driven forms of prescription. Organised by the Groupe d’Études sur la Prescription, conference proceedings will be published in due course.

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Copyright & Cultural Memory Resource Launched

CREATe is delighted to announce the publication of a new resource on the proceedings of the Copyright and Cultural Memory Conference of 2016.

Copyright & Cultural Memory Conference at the Lighthouse

The CaCM2016 resource presents the digital proceedings of the one-day conference designed to explore the essential question: “How does copyright impact the access to and use of our shared cultural heritage across borders, and online?”

CREATe researchers Ronan Deazley (Queen’s University Belfast), Megan Blakely, Kerry Patterson, Victoria Stobo, and Andrea Wallace (all Postgraduate Researchers at the University of Glasgow) addressed the challenges of digitisation, orphan works, intangible cultural heritage, risk-based models of copyright compliance for archive collections, and surrogate intellectual property rights.

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CREATe Researchers at CILIP Copyright Conference 2017

CILIP’s annual Copyright Conference  takes place on April 7  in London.  The conference provides information professionals with a chance to update their knowledge about crucial copyright and licensing related issues and developments.  The programme has been curated by Naomi Korn and features two papers by CREATe researchers.

In his talk entitled  ‘Navigating the Copyright Cortex: Enabling Digital Cultural Heritage’ Ronan Deazley will introduce the Copyright Cortex: a new online resource providing free, expert, objective and research-led commentary and advice about UK copyright law as it impacts the digitisation, access to, and use of our shared cultural heritage.

Victoria Stobo, presents ‘The archivist who kicked the hornet’s nest: Taking the sting out of digitising 20th century materials’ which will explore the ways in which archives identify, manage and mitigate the risks associated with making third party copyright materials available online.

The full programme is available here.

 

 

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The Economic Effects of Copyright – Using CREATe & CORE Resources to Inform Regulators and Lawyers

CREATe Fellow Dr Georg von Graevenitz, and CREATe Programme Leader Dr Sukhpreet Singh, were recently invited to speak at the First Asia-Pacific Workshop on Empirical Methods in Innovation, IP and Competition organized by the National Law University (Delhi, India). This post by Georg summarises CREATe’s contribution to the workshop.


Image courtesy: www.ciipc.org

The First Asia-Pacific Workshop on Empirical Methods in Innovation, IP and Competition was held at National Law University in Delhi in early March 2017. The workshop brought together researchers and regulators from across the globe as well as academic participants from across India and South East Asia. Sessions focussed on the economics of IP law, the link between competition and IP law, regulation of competition and empirical research on effects of patents, trade marks, copyright and alternatives to IP. Continue reading

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