For the Research Blog Series, Jose Bellido presents an oral history project collecting interviews with retired barristers, solicitors, civil servants,…
On 24th May 2016 the first Copyright Education Symposium – sponsored by CREATe, ALCS, CLA, ERA, PRS for Music, the…
A new CREATe project will help advance the study of historical copyright by making the Stationers’ Register fully searchable, in a freely…
On 12th November 2015, the animated film The Adventure of the Girl with the Light Blue Hair by Professor Ronan Deazley and CREATe researcher Bartolomeo Meletti won the AHRC Award for Innovation in Film.
The panel of judges – consisting of industry and academic experts such as film director Beeban Kidron, Financial Times Arts Editor Jan Dalley, and actor and producer Diana Quick – described the film as “a well-constructed, quality animation addressing issues of creativity, IP and copyright for schools and undergraduates: lively, engaging, witty (à la Sherlock Holmes mode), informative and educating at the same time.”
Frequent CREATe Collaborator Bartolomeo Meletti describes his recent efforts supporting partnership between three key contributors to the development of the digital creative economy.
CREATe and the Digital Catapult have entered a partnership to develop a set of copyright information tools that are responsive to the needs of primary creators and creative businesses in the digital world. As lead producer of CopyrightUser.org (a widely used online copyright portal, which attracted over 40,000 users since its launch in March 2014), I am being seconded from CREATe to the Digital Catapult Centre in Euston Road, London. In partnership with the Digital Catapult, we are producing events with creative groups (such as photographers, musicians and the archive sector) and developing new sectoral copyright guidance, including several video assets.
Kerry Patterson, Project Officer for CREATe’s Digitising the Edwin Morgan Scrapbooks project describes some approaches and challenges in her efforts to carry out diligent search for thousands of images with little original context.
The enormous visual appeal of the poet Edwin Morgan’s scrapbooks is countered by a large complication for the copyright researcher. Morgan rarely gives a source for the images he uses, meaning that the 16 scrapbook volumes contain tens of thousands of images with no note of their original context. For the researcher performing a diligent search as part of a mass digitisation project, the difficulty is this; without any supporting information for an image, what resources can be used to carry out a diligent search? Do the IPO’s Diligent Search guidelines offer assistance?
Kerry Patterson, Project Officer for CREATe’s Digitising the Edwin Morgan Scrapbooks introduces her work to explore the extent to which EU and UK copyright policy impacts the digitisation of unique and distinctive artistic collections, such as the Morgan scrapbooks, as well as the costs associated with rights clearance.
Digitising the Edwin Morgan Scrapbooks is a project led by CREATe in conjunction with Glasgow University’s Special Collections Department. Within the Archive of the poet Edwin Morgan (1920-2010) held at the University, are sixteen scrapbooks. These date from 1931 to 1966 and were used by Morgan as an outlet for his creative expression before poetry became his primary focus. Within the scrapbooks are around 3,600 pages in total, with material from a diverse range of sources; contemporary and historical newspapers, books and periodicals, photographs, stamps, advertisements, flyers, cigarette cards and other everyday items.