Cognate Research

 

Links to related studies

• Will Page, Jomar Perez, and Chris Tynan (2014). Anatomy of a Hit: How Mr Probz Came to America, Spotify: Inside Music
• UK Music (2013). Economic Contribution of the Core UK Music Industry
• Merrill & Raduchel (eds) (2013). Copyright in the Digital Era: Building Evidence for Policy
• Schlesinger (2013). Expertise, the academy and the governance of cultural policy
• SCA/ Ithaka S+R Report: Sustaining Our Digital Future
• Ofcom/ IPO/ Kantar Media (2013). High Volume Infringers Analysis Report
• Karaganis, J. & Renkema, L. (2013). Where do Music Collections Come From: Copy Culture in the USA and Germany
• OFCOM (2012). Online Copyright Infringement Tracker Benchmark Study
• Poort, J. & Leenheer, J. (eds.) (2012). File sharing 2©12: Downloading from illegal sources in the Netherlands, Amsterdam: Institute for Information Law (IViR) & CentERdata
• Ghafele & Gibert (2012). The Economic Value of Fair Use in Copyright Law
• The six business models for copyright infringements (2012), A study by Google and PRS for Music (conducted by BAE Systems Detica)
• Prof. Lilian Edwards’ Blog panGloss
• Prof. Philip Schlesinger’s Blog  advicetoofcom