Digital Copyright Hub and the Politics of Infrastructural Delegation Monday, 7th March, 3.30-5.00 pm Staff Room, 6th floor, Crystal Macmillan…
There are only two weeks left to submit abstracts, papers and panel proposals to EPIP 2016, the 11th Annual Conference…
Online behaviour is changing rapidly due to technological
progress. The legal framework, and copyright policy specifically, needs to keep pace with digital innovation and new business models. These changes in consumption of digital goods are also challenging existing theoretical propositions, requiring new academic attention. The use of appropriate data is crucial for the understanding of the perplexing patterns of online behaviour.
CREATe acknowledges this need and through various research projects it has explored empirically important aspects of copyright policy. Two recent resources are of particular interest: (i) the Copyright Evidence Wiki, which is available here, focuses on fully categorising all the relevant empirical studies for informed copyright policy interventions and (ii) the Online Media Behaviour analytics (OMeBa) platform, which can be found here, offers easy access to a unique data source related to online behaviour. This blog post introduces OMeBa (more information about the Copyright Evidence Wiki is available here: launch event video and slides).
The ‘CREATe Festival 2016’ will take place in London on 23 & 24 June. This will be a showcase of the findings of CREATe’s research programme, and a vehicle to engage with a wider community – in the CREATe spirit!
The Festival will play host to a multitude of public engagement events where delegates will be able to participate in behavioural experiments, a workshop on intellectual property and fashion, an exhibition on art forgery, the award of a hackathon prize, and the launch of CREATe’s very own tartan.
This post is by Jaakko Miettinen, a PhD researcher in CREATe at the University of Glasgow, summarising discussion of his…
By Marcella Favale, CREATe Researcher, and Research Fellow, Bournemouth University
On 15 January, at a conference of ALAI Belgium (Association Littéraire et Artistique Internationale), Judge Jiří Malenovský of the Court of Justice of the European Union (CJEU) bravely faced a public of copyright scholars, many of whom had extensively raised concerns about decisions of the Court in their academic outputs. Malenovský is the Reporting Judge of a vast majority of copyright cases before the Court (analysed in CREATe’s study “Is there an EU Copyright Jurisprudence: An Empirical Analysis of the Workings of the European Court of Justice”). As far as European Copyright is concerned, he is The Copyright Judge.
This Annual Conference of ALAI Belgium focused on the principle of ‘communication to the public’, whose complexity was not only stated but also demonstrated by the delivered presentations. Crucially, these learned contributions did not hide their disappointment at the scarce enlightenment provided by the EU Court on the concept. Judge Malenovský’s talk, delivered in French, concluded the conference, and in his detailed defence of the Court, he set off to refute these criticisms, by explaining why and how the Court reached its conclusions.
Memory institutions across Europe hold millions of documents and works of art that they would like to make digitally available….