Introduction by Lilian Edwards Below is a blog written originally on the personal website of Prof Derek McAuley, head of…
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About CREATe
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Acrobats Unemployed by Giulia Frances (http://giuliafrances.blogspot.co.uk/) In a timely post in the Managing Culture section of the Tafter Journal, Pierre-Jean…
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Credit: Ghost Beach / www.artistsvsartists.com What do musicians think of copyright? Do their views depend on whether they play jazz…
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In the future, readers will not go in search of books to read. Feral books will stalk readers, sneak into…
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Today, we publish a summary, transcript and resource page which captures the panel discussion on regulation of orphan works held…
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A new empirical study of so-called Orphan Works, commissioned by the UK Intellectual Property Office, and undertaken by academics from…
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Philip Schlesinger makes a correction and raises a new question. Hasan Bakhshi has written to correct my misquotation of the…
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Professor Philip Schlesinger – Deputy Director, CREATe discusses the recently launched NESTA Manifesto for the Creative Economy. Update: see Schlesinger's…
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Much ado, even an air of conspiracy, surrounds the passing of the Enterprise and Regulatory Reform Act (ERRA) on 25…
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In his column published in The Bookseller on 15th February, Richard Mollet, chief executive of the Publishers Association, takes aim…
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CREATe is the Centre for Copyright and New Business Models in the Creative Economy, a national research hub jointly funded…
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Professor Philip Schlesinger - Deputy Director, CREATe Contemporary cultural policy is made and implemented where culture, politics and the economy…
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Lilian Edwards - Deputy Director CREATe Professor of E-Governance, University of Strathclyde Copyright was invented simultaneously to provide a revenue…
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This is my first blogpost as director of CREATe, the RCUK centre for Copyright and New Business Models in the…
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