Category Archives: About CREATe

CREATe’s Director Martin Kretschmer introduces the CREATe Festival (Royal Society of Arts, London, 24 June 2016): Research matters. And it matters most where there are fault lines in society. Fault lines may appear unbridgeable, and (to stay in the metaphor) they are places where quakes and social separation can occur. CREATe’s core concern is the future of creative production, and in particular the relationship between law and digital innovation. What is the role of copyright, among alternative modes of identification, appropriation and finance? As we come to the end of the first phase of the CREATe project, it is becoming clear that the creative economy needs to be understood in the context of the radical challenge to industrial structures posed by … Continue reading →

In September 2015 CREATe hosted the European Policy for Intellectual Property (EPIP) Association’s 10th Annual Conference, with 200 delegates attending. This is the first time that this strategically important event has been held in the UK. CREATe investigators and postgraduate researchers contributed to the programme, providing an opportunity to communicate directly with policy making communities. The intellectual and practical arrangements of the conference were universally acclaimed by delegates and participants. Prof. Bernt Hugenholtz, Director at the Institute for Information Law at the University of Amsterdam and member of CREATe’s Programme Advisory Council said it was “by far the best and most rewarding IP conference I have attended for several years”. Prof. Pamela Samuelson, Director at the Centre for Law & … Continue reading →

It is now one year on since CREATe was launched to high expectations in the Hunterian at the University of Glasgow. The digital revolution has moved copyright law to the regulatory centre of the creative industries. For investors, copyright has developed into a currency; users struggle with rights clearance (or ignore rights altogether); creators seek ever new ways to the market. It is a world of believers and non-believers. We hear wildly conflicting claims about the value of intangible assets, about the benefits of open and closed models of innovation to firms and society, about the potential of massive collaborative projects (wikinomics), about the impediments that existing copyright arrangements pose for new derivative markets (mass digitisation, translation services, social media), and about the link between unauthorised consumer activities and lost sales.

CREATe’s Network Graphic (click to view)

It is a particular challenge to establish a research centre in such a contested environment. The more urgent an independent approach becomes, the harder it is to achieve. Where myths and anecdotes rule, may transparency help? At CREATe, we are taking great care to expose our methodological approach and research designs to early scrutiny by academics, as well as industry and policy users of research. We document our major events scrupulously (we have welcomed close to 1,000 delegates to 20 events during our first year); we disseminate our research as working papers (15 as of March 2014); we have contributed to 9 consultations and policy interventions; we run digital resources on our website (visitors from 149 countries).

Continue reading →

CREATe is the Centre for Copyright and New Business Models in the Creative Economy, a national research hub jointly funded by the AHRC (Arts & Humanities), EPSRC (Engineering & Physical Sciences) and ESRC (Economic & Social Sciences). CREATe is a pioneering interdisciplinary initiative, and globally the first effort to investigate the relationship between Creativity, Regulation, Enterprise and Technology (=CREATe) through the lens of copyright law.

The UK has probably the largest creative sector in the world relative to GDP, accounting for over 6% of the overall economy and contributing around £60bn per annum. CREATe will examine the business, regulatory and cultural infrastructure of the cultural and creative industries by exploring cutting-edge questions around digitisation, copyright, and innovation in the arts and technology. CREATe is based at the University of Glasgow, leading a consortium of 7 Universities: the University of East Anglia, the  University of Edinburgh, Goldsmiths (University of London), the University of Nottingham, the University of St. Andrews and the University of Strathclyde.

Continue reading →