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To launch the publication of her new book, Art and Modern Copyright: The Contested Image, CREATe’s Dr Elena Cooper gave a talk at the Victorian Picture Gallery, Royal Holloway, University of London on 5 December 2018. Dr Cooper illustrated central themes of her research – the first in-depth and longitudinal study of copyright protecting the visual arts – by drawing on the rich collection of nineteenth century paintings in the Gallery, focussing particularly on nineteenth century copyright debates concerning painters’ repetitions of their own work. The presentation provoked comments and questions from a broad interdisciplinary audience. A film, presented by Dr Cooper, using the paintings in the Gallery as a way into the history of copyright, will follow in 2019, … Continue reading
Professor Philip Schlesinger, Deputy Director of CREATe, spoke about new intermediaries and platform regulation at the European University Institute’s executive training seminar on how cultural diplomacy is presently being reshaped in the digital age. The event was held on 28-30 November 2018 in Florence.
Report: CREATe Public Lecture by Dr. Fiona Macmillan – Copyright and Contemporary Culture: Between Market and Community
Report by Anthony Rosborough (LLM Candidate in the Intellectual Property & Digital Economy Programme at the University of Glasgow). On the 21st of November, Dr. Fiona Macmillan (Professor at Birkbeck, University of London, School of Law) delivered a lecture on the relationship between intellectual property markets and the management of cultural heritage. Chaired by Professor Martin Kretschmer, the lecture was held in the University of Glasgow’s Arts and Humanities Lecture Theatre as part of CREATe’s autumn Public Lecture series. Dr. Macmillan’s main focus was how to properly define and conceptualise “cultural heritage” as a legal concept. She addressed the regulation of cultural heritage in international law under the “authorised cultural heritage” doctrine as established by the UNESCO Convention for the … Continue reading
As part of CREATe’s role in the new AHRC UK Creative Industries Policy and Evidence Centre (PEC), we are providing monthly updates summarising new entries to the Copyright Evidence Wiki (organised thematically). The Wiki catalogues empirical studies on copyright, informing public and policy development based on evidence. In the first of this series of posts, we summarise the new empirical studies added to this database under the themes of: Piracy; Copyright in the Courts; Open Licensing, and; Copyright and Representation.
Several updates have been made to CREATe’s Copyright Reform Timeline, a resource designed to keep track of the legislative process of the Copyright Directive and the many interventions surrounding it. Newest updates include details of: The trilogue negotiations held on 2 October and 25 October (and announcement of new date on 3 December); The Austrian Presidency’s compromise proposal; New studies published in respect of articles 3 (text and data mining), 11 (press publishers’ right) and 13 (internet platform liability), and; Opinions of those both for and against the Directive. We have also created a static timeline graphic detailing all key events of the legislative process of the Directive since the initial draft was issued by the Commission in September 2016, … Continue reading
In this post, Amy Thomas (CREATe PhD candidate) analyses what she suspects to be the very first example of a software licensing agreement, and its relationship with copyright law. In my PhD thesis, I am investigating how software licensing agreements (through their terms and conditions) reveal a particular concept of the user that has changed over time. I investigate this as a private ordering mechanism. As part of this study, a historical approach is required; to this end, I endeavoured to uncover the very first example of this type of private ordering mechanism in software (and to the extend it was primarily motivated by copyright concerns, as suspected). The investigation was prompted by a memoir written by ex-IBM engineer, W.S. … Continue reading
The European Copyright Society (an independent scholarly association to which several CREATe members contribute) has published two opinions regarding the CJEU cases C-161/17 Land Nordrhein Westfalen v. Dirk Renckhoff (the ‘Córdoba case’) and C-683/17 Cofemel v G-Star.
CREATe presents at Digital Arts Residency: Intellectual Property in the Collaborative Digital Environment
Dr Elena Cooper, Leverhulme Fellow at CREATe, recently presented on Intellectual Property in the Collaborative Digital Environment as part of a programme for artists working with digital technology. The talk was delivered as part of an artists’ development initiative offered by Questlab Network, offered by Studio Wayne McGregor and funded by Arts Council England. It was held at Studio Wayne McGregor’s creative arts space at ‘Here East’ on Queen Elizabeth Olympic Park, London from 22 October to 2 November 2018.
The next workshop of the International Society for the History and Theory of Intellectual Property (ISHTIP) will be held at the University of Technology Sydney 4-6 July 2019. The theme of the workshop is ‘Law and the Visual’ and the call for papers may be found here. Abstracts are welcomed from scholars from any discipline who are researching the history and/or theory of IP. The deadline for abstract submission is 23 November 2018. CREATe and its researchers have a longstanding affiliation with ISHTIP. CREATe members attend ISHTIP workshops regularly and CREATe itself hosted the workshop in 2016. A number of CREATe members attended the 2018 workshop, at the University of Roma Tre which included participation in a pre-event roundtable on … Continue reading
The Global Congress is a unique forum that brings together every two years a global community of academics, non-governmental organisations and policy makers for a week long assessment of the state and direction of intellectual property policy. It is the foremost setting for exploring changing policy priorities from a public interest perspective. Within this evidence-based framework, CREATe was reflecting on our own research agenda. We presented an overview of our work over the last five years (Empirical Approaches to Copyright Research, a panel with Prof. Martin Kretschmer, Dr Thomas Margoni and Bartolomeo Meletti), demonstrated resources (such as CopyrightUser.org and the Copyright Evidence wiki), discussed new research on takedown of online content and text-and-data-mining, and contributed to policy discussions. There was … Continue reading