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Monthly Archives: May 2017
Dr Thomas Margoni (Director of the LLM Intellectual Property and the Digital Economy and Senior Lecturer in Intellectual Property and Internet Law) reports on the 2017 CopyrightX Summit, held at Harvard Law School. The second CopyrightX Summit took place between 15th and 17th of May and was hosted by Harvard Law School and the Berkman Klein Center for Internet and Society in the beautiful Wasserstein Hall building of the Harvard Law School. During three full days of discussions and presentations, more than 30 CopyrightX teaching fellows from six continents (not Antarctica, yet!) had the occasion to interact in person and to exchange their experience of teaching the CopyrightX course. CopyrightX is a twelve-week networked course created and supervised by HLS professor William Fisher and … Continue reading
This study by Lee Edwards, Giles Moss and Kristina Karvelyte from the University of Leeds aims to respond to a call in previous research for greater public deliberation about copyright policy. It is underpinned by the principle that copyright policy is a matter of public interest, and as such, should be a subject of public discussion and debate, so that the eventual implementation of copyright is one that attracts a general level of agreement among all affected parties. The research builds on an earlier project (Grant reference ESRC RES 062-23-3027) that examined the ways in which copyright was understood and evaluated by industry, activist groups and users. This work argued that users should be viewed as ‘sources of legitimate justifications … Continue reading
CREATe researchers invite you to the launch of the Copyright Cortex at the British Library on the evening of Tuesday, 20th June 2017. The Copyright Cortex is a new innovative online resource concerned with copyright and digital cultural heritage. A collaboration between Queen’s University Belfast and CREATe at the University of Glasgow, the Copyright Cortex will become the principal point of reference for archives, museums, libraries and other memory institutions seeking information and expert commentary on how UK copyright law impacts the creation, access to and use of digital cultural heritage. Speakers at the launch event include: Lionel Bently, Professor of Intellectual Property, University of Cambridge Jill Cousins, Executive Director, Europeana Ronan Deazley, Professor of Copyright, Queen’s University Belfast Ben … Continue reading
Pitch competitions are short, intense events in which teams compete to solve challenges set by organisers. They offer the possibility to explore innovative solutions in a relatively compressed time-frame and with limited resources. They have been widely used in the technology, design and business worlds to generate and rapidly prototype new ideas. How might academic researchers benefit from the pitch competition format, either as organisers or as participants ourselves? And how can these events be improved to promote interdisciplinary collaboration and knowledge exchange? Over the past year, colleagues and I in CREATe have experimented with the pitch competition format. We have used it to engage with external communities of software developers, artists, designers and entrepreneurs. For example, in 2016 we … Continue reading
CREATe Deputy Director Philip Schlesinger opened the first session at the High Level Policy Workshop on ‘EU international cultural relations: a strategic approach’, held in Florence at the European University Institute’s Global Governance Programme on 18-19 May. He argued that there were two complicating contradictions that affected the EU’s desire to project itself as a global actor. First, supranationalism is in constant tension with the Member States’ competence in managing national cultures and identities. And second, there was an expediently fluctuating relationship between culture and the economy: culture was seen both as an instrument of economic development and a source of defensive and offensive intrinsic values at a time of perceived global crisis, and often tended to be treated as … Continue reading
Press publishers, Internet platforms and Text-and-data-mining. Martin Kretschmer reports on the progress of the EU’s contested copyright reforms in the European Parliament and Council. Over the last months, many observers have tried to follow the progress of the EU copyright reform package that is now bogged down by close to 1,000 amendments from Members of the European Parliament to the proposed Copyright in the Digital Market Directive (COM(2016)593). This post tries to shed some light on what is going on behind the scene. (CREATe’s earlier contributions to the debate can be found here.)
CREATe researchers Andrea Wallace and Ronan Deazley participated in the panel discussion ‘Copyright As Frame And Prison’ on 28 April at the Phoenix Arts Centre in Leicester. Complementing the exhibition No Copyright Infringement Intended, which includes work by Wallace and Deazley, the discussion explored the disruptive power of technological innovation on culture and copyright. A video recording of the panel discussion is now available on the CREATe Media YouTube Account.
Book now: Convergence or differentiation in IP protection strategies and business models? – The case of China
Date: 5 June 2017 (9:00 – 18:00) Location: University of Edinburgh Business School, room LT1A To book: Email project director Dr Xiaobai Shen (firstname.lastname@example.org ) This workshop presents findings from CREATe supported research into the role of digitization and copyright protection in the development of creative industries in contemporary China. In the USA and Europe, incumbent players in the creative industries have been strongly entrenched and struggled to hold on to old business models, while China has enjoyed a period of “letting a hundred flowers bloom”.