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Monthly Archives: March 2015
Creativity as a Service
Dr. Michael Brown, CREATe investigator and Human Factors Research Fellow from Horizon Digital Economy Research at the University of Nottingham offer a perspective of his recent experiences interviewing semi-professional photographers.
Over the last few months I’ve been interviewing ‘Pro-Am’ photographers to explore their practices, especially around the use of information about photos themselves (meta-data). These photographers are people that have been paid for their work but don’t do photography as their ‘day job’. They reported capturing and using all manner of meta data: Time, date and place of capture, camera setting and social setting. How this information is captured is as variable as what is captured with various combinations of digital and non-digital solutions used for the management of meta-data. Pens and paper, smart phones, complex multi-level folder systems and even social media sites are used to record this information. While most seem to have quite a relaxed attitude towards controlling information, for others it seems the flow and control of meta data is almost as important as the act of photography itself. Continue reading
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CREATe at the Scottish Parliament
CREATe researchers were invited to the Scottish Parliament on 18 March to showcase cutting edge social science research in the ‘Social Science Making a Difference’ event. Supported by the Scottish Parliament and ESRC, and organized by the Universities of Glasgow and … Continue reading
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Understanding UK Copyright Law: An Interactive Workshop for Music Writers and Composers
Post by Bartolomeo Meletti, Lead Producer of CopyrightUser.org (a co-production between CREATe, University of Glasgow and Bournemouth University)
On Thursday 19th March 2015, the Digital Catapult Centre hosted the second in the series of workshops entitled ‘Understanding UK Copyright Law’, a joint initiative of the Digital Catapult, CREATe, CopyrightUser.org, and the Copyright Hub. The purpose of these workshops is to provide useful guidance about copyright to different sectoral groups of the creative industries, starting from the questions and concerns that these groups have. The first workshop of the series was held at the Digital Catapult Centre on 3rd December 2014, and was addressed to photographers and illustrators. On 19th March, the focus was on the music sector and the event attracted more than 40 attendees from London and across the UK, consisting mainly of songwriters, composers, and music producers. Continue reading
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Cultural intermediaries and how artists get heard
Post by George Musgrave (University of East Anglia)
How do musicians get their work heard, and what role do those actors whom Bourdieu first labelled ‘cultural intermediaries’ – that is, middle-men who occupy that conceptual space between production and consumption, and are entrusted with “presentation and representation” – play in that quest? Continue reading
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Award Winning CREATe Working Paper Now Available – Animals, AI and Authorship in Law
We are pleased to announce the release of CREATe’s latest Working Paper, the twenty-eighth release in the series. Monkeying Around with Copyright – Animals, AIs and Authorship in Law by David Komuves, Jesus Niebla Zatarain, Burkhard Schafer and Laurence Diver considers how advances in … Continue reading
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Professor Chris Buccafusco Public Lecture: Experiments on Creativity
On Tuesday 10 March, visiting scholar Christopher Buccafusco (IIT Chicago-Kent) delivered a public lecture as part of CREATe’s March line-up of events. His highly stimulating and compelling presentation took place in the suitably arranged Humanities Lecture Theatre at the University … Continue reading
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Tagged Buccafusco, copyright, events, experiments, innovation, lectures, methods
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Funded PhD studentship on ‘Mass digitization’ at the Centre for Intellectual Property Policy & Management (CIPPM), Bournemouth University
Bournemouth University invites applications for a fully-funded PhD research studentship on “Mass Digitization, Cultural Heritage and the Law”, with an expected starting date of September 2015. The research will be conducted at the Centre for Intellectual Property Policy & Management … Continue reading
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