Martin Kretschmer is Professor of Intellectual Property Law in the School of Law, University of Glasgow, and Director of CREATe. From 2000-2012, he was Director of the Centre for Intellectual Property Policy & Management (CIPPM) at Bournemouth University (www.cippm.org.uk). From 1996-1999 he was a postdoctoral research fellow at Cass Business School, City University, London (ESRC Media Economics and Media Culture programme).
Martin says: “My stock in trade is the empirical analysis of intellectual property law. I am also interested in the genealogy of the norms governing an information society (www.copyrighthistory.org).”
Martin was educated at Freie Universität Berlin, London School of Economics (LLM) and University College London (PhD philosophy). He also studied music at Musikhochschule Wien (University of Music and Performing Arts, Vienna). During the 1990s, he was German Consultant Editor at BBC Worldwide, and wrote for German language national newspapers, public radio and TV, including ZEIT, Frankfurter Rundschau, Neue Zürcher Zeitung, BR, SWF, WDR, SFB, Radio Bremen, DeutschlandRadio.
Martin’s research includes–
- ESRC project on Copyright Levies (2010/11, as part of a fellowship at the UK Intellectual Property Office):
- ESRC project on Television Formats (2008/09, with S. Singh): http://tvformats.bournemouth.ac.uk/
- A review of the relationship between copyright and contract law for the UK Strategic Advisory Board for Intellectual Property Policy (2010, with E. Derclaye, F. Favale and R. Watt):
Martin also leads a long-term project on artists’ labour markets and earnings funded by the Arts Council, ALCS and DACS (http://www.cippm.org.uk/alcs_study.html; http://www.cippm.org.uk/publications/dacs-report.html).
With Prof. Lionel Bently, Martin is the general editor of the AHRC funded digital archive Primary Sources on Copyright (1450-1900) at the Centre for Intellectual Property & Information Law, Cambridge University (www.copyrighthistory.org). An edited collection Privilege and Property: Essays on the History of Copyright (2010: with L. Bently and R. Deazley) has appeared with Cambridge Open Book Publishers, using a new publishing model based on free access, digital sales and print on demand (http://www.openbookpublishers.com/product.php/26).
Recently, Martin has worked on five independent reports for the UK Intellectual Property Office and the UK Cabinet Office–
- S. Weston, M. Kretschmer (2012), ‘Open Standards in Government IT: A review of the evidence’;
- M. Favale, M. Kretschmer (2012), ‘An Analysis of the Public Consultation on Open Standards: Open Opportunities’
(both published on 1 November 2012 at http://www.cabinetoffice.gov.uk/resource-library/open-standards-consultation-documents);
- D. Mendis, M. Kretschmer (2013). ‘The Treatment of Parodies under Copyright Law in Seven Jurisdictions: A comparative review of the underlying principles’, An Independent Report for the UK Intellectual Property Office (112pp) [cited in 2013 ECJ reference, Case C-201/13, Johan Deckmyn];
- K. Erickson, M. Kretschmer, D. Mendis (2013), ‘Copyright and the Economic Effects of Parody: An empirical study of music videos on the YouTube platform, and an assessment of regulatory options’An Independent Report for the UK Intellectual Property Office (26pp);
- F. Homberg, M. Favale, M. Kretschmer, D. Mendis, D. Secchi (2013), ‘Copyright and the Regulation of Orphan Works: A comparative review of seven jurisdictions, and a rights clearance simulation’, An Independent Report for the UK Intellectual Property Office (98pp).
Martin’s publications can be found here –
SSRN author page:
E-print repository (Bournemouth University):
E-print repository (Glasgow): under construction