Tag Archives: Kickstarter
CREATe researchers Kris Erickson and Martin Kretschmer traveled to Berlin this past week to present a paper with co-author Fabian Homberg, ‘Is Originality Overrated? Measuring the success of original and recombinatory works on Kickstarter’ [Download slides]. We were joined in Berlin by CCPR researcher Inge Sorensen, who presented her paper on the (d)evolution of British public service media’s professional standards and codes of conduct across social networks. This was our first outing at AoIR, and we found it to offer a stimulating set of topics and approaches with considerable relevance to research in CREATe. Below in this blog post, I highlight some of the most interesting presentations we attended at the conference and explore potential implications for future research.
On Tuesday 18th February we organised a joint reading group session with colleagues from CCPR (normally branded as CREATe Studio). These reading groups are open to all PGRs and faculty. The topic of discussion was crowdfunding, an emergent activity in which project founders ask for a large number of small contributions from a community of online funders. It became clear over the course of lively discussion that there are a number of points of overlapping interest for researchers in both copyright and cultural policy.