Author Archives: Bartolomeo Meletti
Icepops 2018 – the International Copyright-literacy Event with Playful Opportunities for Practitioners and Scholars – took place on Tuesday 3rd April at the University of Liverpool. The conference was conceived and co-chaired by Chris Morrison and Dr Jane Secker, and co-sponsored by CLA, Learning on Screen, CREATe, IPAN, EBLIDA, UK Copyright Literacy and the CILIP Information Literacy Group. The event brought together practitioners and scholars from all over the world, including the US, Australia, New Zealand, Sweden, Czech Republic, Switzerland and Hungary. The opening keynote by Professor Ronan Deazley (Queen’s University Belfast) – titled When the Copyright Fun Stops, Stop! – highlighted the importance of educating about copyright by doing and documenting, by embedding copyright use in practice. He provided … Continue reading
Sherlock Holmes and John Watson are being interrogated about the details of their latest case! A film star is missing, and the stuntman is the number one suspect. But who is the mysterious interviewer and why is she so interested in the case of the Forger’s Apprentice? The plot thickens … and The Game is On! The third episode of the The Game is On! series – The Adventure of the Forger’s Apprentice – was released on 6th October 2017. Produced by Prof. Ronan Deazley (Queen’s University Belfast) and Bartolomeo Meletti (CREATe, University of Glasgow) as part of the AHRC Follow-on Funding project – Unlocking co-creative possibilities – the short film and its Case Files address some of the many … Continue reading
On 3rd October 2017, academics at Westminster Law School are launching Lost in Music, a free, open access resource to help artists, students, professionals and interested parties navigate their way through the maze of music business law. In its launch phase, Lost in Music focuses on demystifying music plagiarism and providing a vehicle for people to understand more fully the basics of music copyright infringement. However, the wider aim of Lost in Music is to increase understanding of a variety of issues within the music industry, such as contracts, band names and trademarks, sampling and digital income streams. Funded by the Quintin Hogg Trust and developed by a team of academics and musicians, Lost in Music brings to life much of the research on music … Continue reading
On 13th July 2017, I presented some of the short films produced for CopyrightUser.org at the international conference Copy Ethics: Theory and Practice, held at ZiF – the Centre for Interdisciplinary Research at Bielefeld University. The conference was part of the project ‘The Ethics of Copying’, led by Reinold Schmücker (Westf. Wilhelms-Universität, Münster), Thomas Dreier (Karlsruher Institut für Technologie, Karlsruhe), Pavel Zahrádka (Univerzity Palackého v Olomouci, Olomouc) and Eberhard Ortland (Universität Bielefeld, Bielefeld). The research group is a collaboration between legal scholars, philosophers and scholars from art history, art sciences, book studies, comparative literature, German literature, media studies, popular music and sociology. Its overarching aim is to develop proposals balancing the interests of those affected by copying practices, which might … Continue reading
On 13 October 2016, CREATe producer Bartolomeo Meletti presented CopyrightUser.org at the Creative Lenses Forum at Chelsea College of Arts, University of the Arts London, which brought together thinkers and managers from arts and cultural organisations, business and academia to explore business model innovation in independent arts venues and performing arts organisations. The event was the first of a series of eight Fora of Creative Lenses, a four-year European action research project that seeks to make arts and cultural organisations more resilient and sustainable by improving their business models and developing their long-term strategic and innovation capacities.
Frequent CREATe Collaborator Bartolomeo Meletti describes his recent efforts supporting partnership between three key contributors to the development of the digital creative economy.
CREATe and the Digital Catapult have entered a partnership to develop a set of copyright information tools that are responsive to the needs of primary creators and creative businesses in the digital world. As lead producer of CopyrightUser.org (a widely used online copyright portal, which attracted over 40,000 users since its launch in March 2014), I am being seconded from CREATe to the Digital Catapult Centre in Euston Road, London. In partnership with the Digital Catapult, we are producing events with creative groups (such as photographers, musicians and the archive sector) and developing new sectoral copyright guidance, including several video assets.