CREATe is delighted to launch a new series of reflective blog posts about CREATe-funded research projects. With our first phase wrapping up and looking towards the future, it is an appropriate time to revisit and reflect upon the range of projects in which our researchers have been involved. We hope that the series will showcase the value, legacy and impact of CREATe research as well as making our research findings relatable to the general public. The blog posts are grouped under six themes, related to our original themes, they are:
- Business Models
- GLAM Sector and Openness
- Creative Practice and Copyright
- Regulation and Enforcement
- Intermediaries, Platforms and Users
- Public Interest
The posts will be compiled as a ‘blog book’, published in 2018, which will include introductions to each of the themes by guest editors. From Wednesday 8th November until April 2018, we will be posting these blog posts here two to three times per week, showcasing the impressive breadth of our research across over 50 projects.
See below for the full schedule or use the links above to select by theme.
Theme 1: Business models
Wednesday 8 November
Smart Cities – Lillian Edwards
Friday 10 November
Converging Technologies and Windowing Strategies – Gillian Doyle
Monday 13 November
Copyright, Football and European Media Rights – Raymond Boyle
Wednesday 15 November
Managing Intellectual Property Assets for Creative SMEs (Parts 1&2) – Mindy Grewer
Friday 17 November
Live media events across mobile platforms and devices: a case study of the ‘BBC Live’ content delivery system – Inge Sorenson
Monday 20 November
Measuring the ‘value’ of UK games tax relief – Tom Phillips
Wednesday 22 November
Convergence or differentiation in IP protection? A case study of new models for digital film, music and e-fiction production and distribution in China – Robin Williams and Xiaobai Shen
Friday 24 November
Games and Transmedia – Daithí Mac Síthigh
Monday 27 November
Emergent Business Models for 3D printing – Luciana D’Adderio
Wednesday 29 November
3D Printing: Going for gold – Dinusha Mendis
Theme 2 – GLAM Sector & Openness
Monday 4 December
Archives, Digitisation and Copyright – Victoria Stobo
Wednesday 6 December
Surrogate IP Rights in the Cultural Sector – Andrea Wallace
Friday 8 December
Copyright and Risk – Victoria Stobo
Monday 11 December
Digitising the Edwin Morgan Scrapbooks – Kerry Patterson
Wednesday 13 December
EnDOW – Kris Erickson
XMAS BREAK
Monday 8 January
Open Publishing – Estelle Dercleye
Wednesday 10 January
Open MinTeD – Thomas Margoni and Giulia Dore
Friday 12 January
Open Film: Open Source – Robin Williams
Monday 15 January
Valuing the Public Domain – Kris Erickson
Wednesday 17 January
Designing for the commercial exploitation of online identity – Christina Emmanouil, Derek McAuley,
Friday 19 January
Monetising Free Content – Liz Dowthwaite
Theme 3 – Creative Practice and Copyright
Monday 22 January
Understanding the politics, culture and aesthetics of musical copyright in the digital age – Adam Behr, Keith Negus, John Street
Wednesday 24 January
Music Copyright in the Digital Age – Kenny Barr
Friday 26 January
Music Publishing – Ruth Towse
Monday 29 January
Copyright User – Bartolomeo Meletti
Wednesday 31 January
Copyright at the Digital Margins – John Street
Friday 2 February
The new British film policy – Philip Schlesinger
Monday 5 February
Fashion micro-enerprises in London, Berlin, Milan (Phase II) – Angela McRobbie
Wednesday 7 February
Individual Creators – Smita Kheria
Thursday 8 February
Creators’ Organisations – Smita Kheria & Nevena Kostova
Friday 9 February
Voices of CREATe – Ealasaid Munro
Theme 4 – Regulation and Enforcement
Monday 12 February
Public/Intermediary Enabled Copyright Enforcement & Physical Platforms and New Business Models – Lillian Edwards
Wednesday 14 February
Copyright and Civil Enforcement – Jane Cornwall
Friday 16 February
The impact on cultural diversity of Automated Anti-Piracy Systems as copyright enforcement mechanisms: an empirical study of YouTube’s Content ID digital fingerprinting technology – Sabine Jacques
Monday 19 February
Self-enforcing IP Law: Life after DRM, IP Dispute Resolution: Digital evidence, e-discovery and the changing costs of litigation – Burkhard Schafer
Wednesday 21 February
Regulating the Collecting Societies – John Street
Thursday 22 February
The Limits of Competition as a means of Regulating the Collecting Societies – Simone Schroff
Friday 23 February
Assessing the IP Small Claims track – Sheona Burrow
Monday 26 February
Policy and Lawmaking in the Digital Age: UK and EU policy interventions – Martin Kretschmer
Wednesday 28 February
Is there an EU copyright jurisprudence? – Marcella Favale
Friday 2 March
Copyright litigation in English courts – Luke McDonagh
Monday 5 March
Modelling the Evolution of the TV Drama production sector in the UK – Richard Paterson
Wednesday 7 March
Appraising Potential Legal Responses to Threats to the Production of News in the Digital Environment – Richard Danbury
Friday 9 March
Copyright Wiki – Kris Erickson
Theme 5 – Intermediaries, Platforms and Users
Monday 12 March
Supporting creative business: Cultural Enterprise Office and its clients – Philip Schlesinger
Wednesday 14 March
Intermediaries – Morten Hviid
Friday 16 March
User Generated Cultural Content (UGCC): Users as Creators, “Walled Gardens”, and the Preservation and Bequeathing of Novel Digital Cultural Assets – Lilian Edwards
Monday 26 March
Blockchain or the Chaingang? – Jeremy Silver
Wednesday 28 March
Exploring unlawful file sharing – Piers Fleming & Daniel Zizzo
Wednesday 4 April
Living within(in) copyright law – Lee Edwards
Friday 6 April
IP Infrastructure project – Robin Williams
Theme 6 – Public Interest
Wednesday 11 April
Human rights and the public interest – Daithí Mac Síthigh
Friday 13 April
Copyright History and Policy – Elena Cooper
Wednesday 18 April
Oral History of Intellectual Property – Jose Bellido
Monday 23 April
Stationers’ Register Online – Ian Gadd, Giles Bergel